Dear Sir,The recipient of the letter is Barnabas McDoon, a prosperous merchant who lives in London in the year 1812. It is the postscript of the letter, however, that truly sets Barnabas to wondering about the possible sender: "We cannot promise heart's desire. But we know what you seek and can help you regain what you have lost. Will you take the chance?"
You seek something new, a way to your future by reclaiming your past. We can show that to you, if you take the chance. Enclosed are a key and a book. The book explains itself: others have gone before you, and have left instructions for those who would follow. The key is another matter. We cannot tell you all you need to know about the key, only that you must learn about its peculiar abilities yourself. This is not a game. If you seize the chance, you will be engaged in a great mission upon which the fates of many depend...
Barnabas is intrigued but suspicious. His partner, Sanford, feels much the same. Sally and Tom, Barnabas's niece and nephew, become fascinated as more information about a hidden land called Yount, a mythical place to which their uncle has been invited to sail, is revealed. But Barnabas is, at heart, a practical man - definitely not the sort to leave his business unattended and gallivant off to parts unknown. But when his beloved nephew is kidnapped by a mysterious, menacing stranger and transported to Yount itself, Barnabas doesn't hesitate. Soon Barnabas, Sanford, his niece and her tutor are sailing away across the sea, desperate to find Tom, accompanied by new friends with strange but fascinating ways. The journey is perilous, but its dangers pale in comparison to all that lies ahead...
I love the rich, evocative language used to tell this story. The descriptions are poetic, painting vivid images both of Victorian London as well as the mysterious lands beyond the horizon. Here, one of the characters, Reglum, describes to Sally some of the unusual creatures and phenomena that exist in this unusual land:
"...In another place there is a sort of antelope we would call in English something like 'Chiming Sebastians.' As they skip along they utter ringing notes that sound like they are chiming out, 'pass the mustard, pass the mustard.' Imagine herds of them loping over the savannah, how the air shimmers with their music!"I adored the characters, who are complex and fascinating, as well as the way in which so much about them is revealed through skillful use of dialogue. The story abounds with strong female characters in particular. There is the intelligent and resourceful Sally, who is not just a whiz at learning from textbooks but has a keen mind for applying her learning in unconventional ways. And then there is Maggie, a black servant girl and math savant living on the edge of starvation in London, who finds an unexpected ally in another strong woman. I loved that there is ambiguity in the characters - there are "good guys" and "bad guys," most definitely - but those are definitions not to be taken at face value, and as the story progresses they require periodic re-examining. Characters make mistakes and suffer the consequences, which can be harsh indeed.
Reglum raced ahead like the antelopes he described, saying, "Natural phenomena too are not always hideous in the Interrugal Lands. Once, while serving on the Curlew, I saw a rainbow created by starlight only, the oddest colours refracted over the sea. We do not yet fully understand the optics but no Marine who saw that sight shall ever forget its beauty..."
Another aspect of the book I found highly enjoyable were the many references to beloved characters from literature who are portrayed as contemporaries of the characters in this novel. Sally corresponds regularly with Elizabeth Bennet, for example. Jack Aubrey and Horatio Hornblower are also mentioned, along with news of the war against Napoleon. I had to smile at the reference to the never-ending legal case of Jarndyce and Jarndyce, from my favorite Dickens novel. It is not necessary for the reader to know who Ralph Nickleby and Daniel Quilp are in order to appreciate the story, but it certainly adds to the fun.
The illustrations are lovely and evocative. They are a perfect complement to the atmosphere of the story - and I love the fact that the artist who created both the woodcarvings on the cover as well as the interior illustrations is the author's wife! The image on the cover is from a series of carved sea monsters called "Here There Be." Click here to view the entire amazing series.
This book is targeted at young adults, and while I think that it has considerable appeal to that audience (strong readers in particular - those who enjoy books by Tolkien, Dickens, Croggon and other complex literary works), I fear that the YA "label" might prevent it from finding its way into the hands of adult readers as well. There are important young characters in the novel that teen readers would be sure to identify with - but there are also adult characters who are every bit as appealing. It seems to me to be one of those rare and wonderful books that offers a reading experience that may differ from younger reader to older reader, but is no less rich and rewarding to each. This first volume in the series concludes at a natural point in the narrative, although some intriguing questions are raised that beg to be answers. I anxiously await the next book in this powerful, compelling series.
Click here to read the prologue and first three chapters of the book.
The Choir Boats (Volume 1 of Longing for Yount) by Daniel A. Rabuzzi; cover and interior illustrations by Deborah Mills (ChiZine Publications, 2009)
Also reviewed at:
Fantasy Book Critic: "...once I got into the novel and immersed myself in its wonderful atmosphere and its usage of charming archaic language and obscure or made up words that fit perfectly, I could not put it down until I finished it."
Grasping for the Wind: "The Choir Boats is Gulliver's Travels crossed with The Golden Compass and a dollop of Pride and Prejudice. Rabuzzi has a true sense of wonder, which is clear in his narrative construction and a through knowledge of the time period in which his story is set."
Unbound: "In many ways this is a gentle read, perfect for curling up on the sofa with a hot chocolate and allowing yourself to be drawn away."